Staged once again at Place d’Iéna in Paris, the show opened with softly tailored silhouettes in whispering neutrals: slate, caramel, olive, and sun-faded coral. Silk blouses draped like liquid, while deep V-neck knits and collarless outerwear added a subtle sensuality to the crisp, utilitarian undertones. The tailoring was supple but intentional, making even the most structured pieces appear effortless.
The leatherwork—unsurprisingly for Hermès—was pristine. Butter-soft trousers, belted pleated shorts, and safari-inspired jackets brought a lived-in luxury to the lineup, elevated further by accessories that doubled as storytelling devices. Scarves were tied loosely around necks, hinting at breezy Mediterranean escapes, while oversized canvas and leather bags brought volume and function to an otherwise serene aesthetic.
Footwear reinforced the collection’s ease. Leather thongs and open-toed sandals made a convincing case for barefoot-adjacent dressing, especially when styled with cropped pants in pale greys and sun-washed taupes. The inclusion of Hermès’ iconic carrés in several looks grounded the collection in the brand’s heritage, offering quiet signals of legacy amid the relaxed silhouettes.
And yet, amidst all this calm, there were playful disruptions. A bright yellow knit. A wine-colored leather jacket. A revamped Birkin bag with a utility slant—pockets and all. Even the Kelly took a detour westward, remixed with rugged hardware that felt more desert road trip than Faubourg Saint-Honoré. These touches didn’t overpower; they punctuated.
Nichanian, who has helmed Hermès’ menswear for over three decades, continues to refine a language where elegance doesn’t mean stiffness and masculinity isn’t defined by hardness. SS26 is not a reinvention, but a reaffirmation: clothes that live with you, not for you. The kind of luxury that doesn’t scream—because it doesn’t have to.