Most parents rightfully complain about our generation’s lack of interest when it comes to classical music: for lyrics, we prefer foul language over poetry, and we’d rather bounce up and down to hip-hop than be mesmerized by the beauty of a concerto. Introducing the cure: Charlie Siem. We have a breathtaking reason to understand our parents’ taste.
It’s hard for me to describe myself as I find being self-conscious hinders one’s ability to be a great artist.
I don’t know that I decided to be a violinist when I was a child – I just was a violinist. I never thought where the road was heading at that stage I just enjoyed playing every day.
Beethoven’s violin concerto.
It’s a balance between the two. Classical music has many demands in terms of serving the composer’s vision as well as mastering the technical aspects of the music.
I suppose it’s because I am young and of today’s world and yet I love playing music from the past on an instrument that is almost 300 years old.
I don’t know that there is ‘better’ than another necessarily – only better than you were before. I think the only person to improve on is yourself – looking around you only distracts and slows you down. I am on a constant mission to improve and be able to do justice to the music I love more effectively.
To me, music is perfect on its own.
I have loved so many of them, it’s hard to single one out, but I played Vivaldi concerto for 4 violins with Shlomo Mintz and Ida Haendel when I was 11, which was special.
It’s a privilege and an honor to play this violin – I never forget that.
The audience creates an energy that allows me to access a higher state. Once I’m there I hope the audience will follow – that’s all I can do.
It’s the human desire to improve and expand. I am able to do that with my violin and making music.